By the middle of the twenty-first century, war, famine, economic collapse, and climate catastrophe had toppled the world's governments. In the 2050s, the insurrections reached the nerve center of global capitalism—New York City. This book, a collection of interviews with the people who made the revolution, was published to mark the twentieth anniversary of the New York Commune, a radically new social order forged in the ashes of capitalist collapse.
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Here is the insurrection in the words of the people who made it, a cast as diverse as the city itself. Nurses, sex workers, antifascist militants, and survivors of all stripes recall the collapse of life as they knew it and the emergence of a collective alternative. Their stories, delivered in deeply human fashion, together outline how ordinary people's efforts to survive in the face of crisis contain the seeds of a new world.
“Everything for Everyone is the book we all need right now. It lets us imagine what can feel unimaginable in this moment—a total reorganization of social relations toward our mutual survival and the dismantling of the ruling death cult. This is a book we will all be obsessing over, arguing with, and talking about in the coming years as we try to conceive how collective action can get us through these harrowing times. I am grateful to Abdelhadi and O'Brien for making something we need so bad so compelling and readable.” —Dean Spade, author of Mutual Aid
“Charts dizzying, delightful new futures for science fiction, urban planning, and engaged social practice. I spent 15 years as a community organizer and never dreamed of seeing something that so bravely, brilliantly combines liberational nonfiction and radical documentary with the exuberance of the best speculative storytelling.“ —Sam J. Miller, Nebula-Award-winning author of Blackfish City and The Art of Starving
M. E. O'Brien writes on gender freedom and communist theory. She co-edits two magazines: Pinko, on gay communism, and Parapraxis, on psychoanalytic theory and politics. Her work on family abolition has been translated into Chinese, German, Greek, French, Spanish, and Turkish. Previously, she coordinated the New York City Trans Oral History Project, and worked in HIV and AIDS activism and services. She completed a PhD at New York University, where she wrote on how capitalism shaped New York City LGBTQ social movements. She is currently in training to be a psychoanalyst, and works as a therapist.
Ada Pinkston (b. New York) is a multimedia artist, educator, and cultural organizer. Her art explores the intersection of imagined histories and sociopolitical realities on our bodies, using monoprint, performance, video, and collage. Inter-subjective exchanges are the primary substrate of her work. Over the years, her work has been featured at a variety of spaces, including The Smithsonian Arts and Industries Building, The Walters Art Museum, The Peale Museum, Transmodern Performance Festival, P.S.1, The New Museum, Light City Baltimore, and the streets of Berlin. She is a Halcyon Arts Lab Fellow (2018), Baker Artist award semifinalist (2016); a recipient of an Andy Warhol Foundation Grit Fund Grant in Visual Arts, administered by The Contemporary (2017); and a Robert W. Deutsch Foundation Ruby’s Project Grant in Visual Arts in (2017). In addition to her studio practice, she is a co-founder of the LabBodies Performance Art Laboratory in Baltimore, Maryland. She is currently a lecturer in Art Education at Towson University.
Jason Harris is a Baltimore based futurist, educator and cultural activist. He is the founder and facilitator of the BlkRobot Project, a long term educational art effort designed to place multi-functional art of scale in predominantly Black neighborhoods. He spent 20 years working as an IT professional, and the past 18 years building a his practice as a writer, futurist and artist in Baltimore City. In 2003, he co-founded the Baltimore based study group of the International Capoeira Angola Foundation, a cultural arts group that teaches and propagates the martial art Capoeira Angola. Jason is a writer whose work has appeared in Black Enterprise magazine, Catalyst Literary journal, BmoreArt.com and various online publications. He self-published the speculative fiction anthology entitled, “Redlines: Baltimore 2028′′ in 2012, and is a Kimbilio Fiction Fellow. For five years, Jason served as the director of creative services for the Living Well Center in Baltimore, where he curated and managed projects centered around Baltimore's indigenous community arts, diaspora arts, and alternative education projects.
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