Walking around his sylvan neighborhood on the outskirts of St. Petersburg, Karavaichuk also remarks on what being an artist was under Stalinism and recalls living among like-minded artists such as Andrei Tarkovsky. Duque’s small portrait of one of Russia’s most idiosyncratic musicians produces a larger commentary on the de-evolution of art in contemporary society, and the role power-hungry politicians play in sidelining experiments in expression.