“Techxodus \\\\[Live Prototype\\\\]” is an improvised electronic rhythmanalytical performance that extends the myth-scientific narrative of DeForrest Brown, Jr.’s debut book, Assembling a Black Counter Culture, and encourages a reimagining of techno beyond the dance floor as a technologically optimized form of Black American Blues, Jazz, and Soul music.
DeForrest Brown, Jr. is an Alabama-raised rhythmanalyst, writer, and representative of the Make Techno Black Again campaign. As Speaker Music, he channels the African American modernist tradition of rhythm and soul music as an intellectual site and sound of generational trauma. On Juneteenth of 2020, he released the album Black Nationalist Sonic Weaponry on Planet Mu.

Stephanie Hewett (she/her) is an interdisciplinary artist whose work emerges from a play-based movement practice within an investigative framework. As a queer, Black, Afro-Diasporic artist with roots in the Caribbean, her work is inevitably rooted in emancipatory practices. Hewett aims to deepen curiosity around the Black American experience by focusing on the sonic, somatic, and spiritual manifestations of Black freedom through a variety of improvisational structures and cross-disciplinary experimentation.

The Black Sound Symposium is a 4-day event full of concerts, talks, workshops, screenings, and interdisciplinary dialogue rooted in Black sound and Black sonic space. The symposium aims to create and sustain community; to celebrate curiosity, wonder, disobedience, collaboration, and play in artistic work; to expand anti-racist and activist pedagogy and methodologies in and outside of our institutions; and to honor the long and rich lineages of Black virtuosity that have been diminished and erased from artistic canons and social consciousness.