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Raven Chacon "Voiceless Mass" with Eternities, gabby fluke-mogul & Nava Dunkelman, and Chloe Alexandra Thompson: General Admission

Saturday, April 29, 2023 at 1:00 PM

$30
Public tickets not available

Saturday, April 29 at 1PM

Raven Chacon "Voiceless Mass" with Eternities, gabby fluke-mogul & Nava Dunkelman, and Chloe Alexandra Thompson

General Admission

119 Pierrepont St, Brooklyn, NY 11201, USA

$30
Public tickets not available
29 April 2023 @ First Unitarian Church of Brooklyn
119 Pierrepont St, Brooklyn Heights
1pm doors, 2pm music

Raven Chacon “Voiceless Mass”
with Alex Waterman, Jessica Pavone, Katie Porter, Leila Bordreuil, Luke Stewart, Laura Ortman, gabby fluke-mogul, Laura Cocks, Nava Dunkelman, Steven Long, Yuma Uesaka, Carlo Costa, Bob Bellerue

Eternities (Katie Porter & Bob Bellerue)

gabby fluke-mogul & Nava Dunkelman

Chloe Alexandra Thompson

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Online ticket sales will end at 11:00am Saturday 4/29. Tickets will be available at the door.

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Ende Tymes is proud to present the New York premiere of Raven Chacon's "Voiceless Mass"

Raven is an old friend of the festival, and has performed more times over the years than almost anyone else, often presenting several of his many projects each year: KILT, Postcommodity, Mesa Ritual, Death Convention Singers, solo, and in duo with Laura Ortman.

In addition to being a homie, Raven is an accomplished composer, artist, and educator, and has been recognized for his rigorous multi-faceted approach to art and sound with numerous awards, including the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, the American Academy’s Berlin Prize for Music Composition, the Pew Fellowship, the National Arts and Humanities Youth Program Award from the President’s Committee on the Arts and the Humanities, and most recently the 2022 Pulitzer Prize for "Voiceless Mass"

About Voiceless Mass, Raven writes:
“Voiceless Mass considers the spaces in which we gather, the history of access of these spaces, and the land upon which these buildings sit. Though ‘mass’ is referenced in the title, the piece contains no audible singing voices, instead using the openness of the large space to intone the constricted intervals of the wind and string instruments. In exploiting the architecture of the cathedral, Voiceless Mass considers the futility of giving voice to the voiceless, when ceding space is never an option for those in power.”

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This special event is part of Ende Tymes 13, an annual festival of noise and sonic liberation.

the full lineup can be found here:
http://halfnormal.com/endetymes

pls follow us @endetymes

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Raven Chacon is a composer, performer, and artist based in Hudson Valley, NY and Albuquerque, NM. His noise and improvisation projects include the trio KILT with Bob Bellerue and Sandor Finta (since 2004), Mesa Ritual with William Fowler Collins (since 2007), Endlings with John Dieterich (since 2010), a trio with Tatsuya Nakatani and Carlos Santistevan, and an ongoing duo with Laura Ortman. He was a member of the art collective Postcommodity from 2009-2018 and is the founder and conductor of the Death Convention Singers ensemble. Since 2000, has released recordings from Southwest experimental musicians on his Sicksicksick Distro label. In 2022, he was awarded the Pulitzer Prize in Music for his composition Voiceless Mass. http://spiderwebsinthesky.com

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Eternities is a collaboration between bass clarinetist Katie Porter (Utah) and sound artist Bob Bellerue (NYC). Their work is inspired by deep presence, resonant feedback, melodic drone, and overtone magic, in the fluid realm between intention and indeterminacy.

Katie Porter is a clarinetist and curator specializing in experimental music. Passionate about fostering musical communities, she co-founded Listen/Space in Brooklyn, the Listen/Space Commissions in the mountains of Utah, and the biennial VU Symposium for experimental, electronic and improvised music. Devoted to collaboration, Katie's current projects include, Red Desert Ensemble with percussionist/composer Devin Maxwell, Quartet or Two Duos with James Ilgenfritz, Lucie Vítková, and Teerapat Parnmonkol in NYC, Phase to Phase a bass clarinet duo with Lucio Capece in Berlin, Malosma a bass clarinet and bass flute duo with Christine Tavolacci in LA, and Eternities with the noise artist Bob Bellerue in NYC. She has premiered works by Sarah Hennies, Teodora Stepančić, Andre Cormier, Daniel Goode, John Luther Adams, Yvette Janine Jackson, Manuela Meier, Michael Pisaro, Jurg Frey, Laura Cetilia, Brian Harnetty, Phill Niblock, Carolyn Chen, Patricia Alessandrini, Nomi Epstein, Quentin Tolimieri and Christian Wolff, among many others. She can be heard on the labels Another Timbre (UK), Gravity Wave / Erstwhile (US), Edition Wandelweiser (DE), FTARRI (Japan), Infrequent Seams (US), Karl Records (DE), and Editions Verde (US). Katie is working to record a giant multi-year project for solo clarinet in Nancy Holt's land artwork, Sun Tunnels, in the remote Utah desert. http://www.fromkp.com

Bob Bellerue is a sound artist, experimental musician, sound/video curator, and creative technician based in Ridgewood NY. Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – noise, sound art, experimental music, junk metal percussion, Balinese gamelan, soundtracks for dance/ theater/ video/ performance art, and sound / video installations. Bob’s sound work is focused on multidimensional feedback systems, using amplified instruments, objects, recordings, and spaces, in combination with electronics and software written in the Supercollider audio synthesis programming language. Bob's work has been presented by The Kitchen, Issue Project Room, Roulette Intermedium, MOMA/PS1, Pioneer Works, Experimental Intermedia, Cafe Oto, Fylkingen, EMS, High Zero Festival, the Yogyakarta Gamelan Festival, Centre de Cultura Contemporanea de Barcelona, LUFF Festival, Akouphene Festival, Sonic Circuits Festival, CEAIT Festival, Cave12, Diapason Sound Gallery, Boulder Museum of Contemporary Art, Oberlin College, the Art Institute of Chicago, Stanford University, NYU, UCSD, and UCLA. Bob’s discography includes dozens of releases on Elevator Bath Records, iDeal Recordings, Banned Productions, Fabrica, P-Tapes, RRR Records, Love Earth Music, Prison Tatt Records, Los Discos Enfantasmes, Zelphabet, Peyote Tapes, No Rent Records, and his own Anarchymoon Recordings and Sleepy Hollow Editions. He curates and produces the annual Ende Tymes Festival, and is the Technical Director for Pioneer Works and the Cultural Services of the French Embassy. http://bobbellerue.net

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gabby fluke-mogul is a New York based violinist, improviser, composer, & educator. fluke-mogul exists within the threads of improvisation, free jazz, noise, & experimental music. Their playing has been described as “embodied, visceral, & virtuosic" & "the most striking sound in improvised music in years..." gabby is humbled to have collaborated with Nava Dunkelman, Joanna Mattrey, Ava Mendoza, Fred Frith, Luke Stewart, Zeena Parkins, Tcheser Holmes, Mara Rosenbloom & Pauline Oliveros among many other musicians, poets, dancers, & visual artists. fluke-mogul was a 2021/2022 Roulette Intermedium Commissioned Artist. gfm holds a MFA in Music Performance & Literature from Mills College, a BA in Music & Early Childhood Education from Hampshire College, & a Deep Listening certificate from The Center for Deep Listening at Rensselaer. https://www.flukemogul.com

Nava Dunkelman is a percussionist and improviser based in Brooklyn, NY. Born in Tokyo, Japan and raised in a multi-cultural environment by an American father and Indonesian mother. Her musical approach is innovative and dynamic, combining virtuosity and intuition. Meticulous in an intrinsic way, she uses her distinctive sound palette to explore and give life to a vast spectrum of musical possibilities. Nava's current projects are electro-percussion experimental noise duo IMA with Amma Ateria, and percussion duo NOMON with her sister Shayna Dunkelman. She also has performed and collaborated with Fred Frith, John Zorn, William Winant, Ikue Mori, Brandon Seabrook, Angélica Negrón, Pauchi Sasaki, and gabby fluke-mogul and many others. She has performed classical and contemporary pieces with the William Winant Percussion Group, Joan Jeanrenaud, San Francisco Girls Chorus, San Francisco Contemporary Music Players and others. Nava studied percussion under Eugene Novotney at Humboldt State University before attending Mills College, where she studied with William Winant, Fred Frith, Maggi Payne, and Zeena Parkins. https://www.navadunkelman.com

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Chloe Alexandra Thompson is a Canadian sound artist based in Brooklyn, New York. Thompson is an interdisciplinary artist and musician composing works of sonic minimalism that envelope listeners into a state of equilibrium and fill rooms with discrete frequencies. Her work creates spatial sound art composed using audio programming software and acoustic instruments. Focused on live performance and spatial intervention, Thompson engineers multi-channel interplay of psychoacoustics, live-processed field recordings, and isolated frequencies to produce felt effects on the body. Fascinated by digital technology’s seemingly endless possibilities for sound experimentation, Thompson routinely collaborates with other artists to explore new avenues for acoustic and physical environments and experiences. https://www.chloealexandra.info
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