Okkyung Lee is a cellist, composer, and key figure of New York’s downtown improvising scene, pushing contemporary cello performance to its extreme limit without abandoning a reverence for its tradition. Classically trained in her native South Korea, Lee became a key participant in the avant-garde community surrounding New York’s now-defunct Tonic, developing a polyvalent approach to cello that spans tonal elegance, turbulent improv, and the noisiest reaches of extended technique, sometimes within minutes. Her penchant for pushing boundaries breaches space itself, as she routinely departs from the concert stage in an exploration of each venue’s structure, audience, and other furnishings in her expanded performances. In demand for her versatile, visceral playing, she has recorded and performed as a bandleader, sideman, solo, and in intimate improvisation settings with the likes of Cecil Taylor, Laurie Anderson, Arca, Jim O’Rourke, Ikue Mori, Vijay Iyer, Mark Fell, and John Zorn, appearing on over 30 albums. Lee currently leads the Yeo-Neun Quartet, an experimental chamber music ensemble that improvises upon dramatic compositions influenced by Korean traditional music and the pop ballads Lee grew up listening to.