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WHISKY

Thursday, April 10 at 7:30 PM

$5
Buy Tickets

Thursday, April 10 - April 28

WHISKY

124 S 3rd St, Brooklyn, NY 11249, USA

$5
Buy Tickets
WHISKY
dir. Pablo Stoll and Juan Pablo Rebella, 2004
Uruguay. 94 mins.
In Spanish with English subtitles.

THURSDAY, APRIL 10 - 7:30 PM
THURSDAY, APRIL 17 - 7:30 PM
TUESDAY, APRIL 22 - 7:30 PM
MONDAY, APRIL 28 - 10 PM

Stoll and Rebella did not return to the disaffected teenage milieu of 25 WATTS for their second feature, but instead pivoted into a tale of existential crisis past the point of midlife. 60-year-old Jacobo (Andrés Pazos) operates a sock factory in Montevideo. When his more successful older brother Herman (Jorge Belani) surprises him with a visit after years of estrangement, Jacobo can’t face the idea of him walking in on a life that is blatantly unsatisfying and a factory on the verge of shutting down. So Jacobo asks his employee Marta (Mirella Pascual) to pose as his wife for the weekend. A love triangle ensues.

Seen by many as the duo’s masterpiece, WHISKY is a beyond-deadpan family comedy of matters. It's a barbed rumination on middle-class success that revels in negative emotional space. This even extends to the title, a reference to how Uruguayans say “Whisky!” the same way Americans say “Cheese!” when getting their pictures taken.

"Repeated near-Bressonian sequences track Jacobo as he opens the plant: shots of hands flipping switches and machines whirring to life establish a cinematic rhythm that propels the film through its first half… [WHISKY]’s neat bifurcation suggests a pair of filmmakers gradually becoming fascinated with larger questions of narrative structure." — Jeff Reichert, Reverse Shot

"The story of two souls seemingly stuck in neutral (with a third in relentless drive), the film is a model of both fiscal and narrative economy, and the kind of work—gleaned from the mysteries of consciousness, telling quotidian details and a sense of aesthetic proportion—that is too often missing from American independent cinema.” — Manohla Dargis, The New York Times
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