Transients: Genuine Fake
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37-18 Northern Blvd, Queens
6pm 'The Vanity of Small Differences' - Jessie Marino
In collaboration with Winnie Huang, 'The Vanity of Small Differences' references body language in todays modern world and is composed through the musical elements of phrasing, cooperative polyrhythmic movements and harmonisation through expression, connotations and feelings conveyed.
7pm Genuine Fake
Aaron Einbond, 'An Attempt at Exhausting a Place'
for vla, fl, ssx, pno, perc, elec (world premiere)
David Bird, 'How To'
for vl, fl, tsx, pno, perc, elec (world premiere)
Alec Hall, 'Getting To We'
for vl, vla, fl, ssx/asx, pno, perc, elec (world premiere)
Three brand new pieces by the composers of Qubit will be premiered by the musicians of soundinitiative.
Aaron Einbond's An Attempt at Exhausting a Place is centered on recordings that Einbond made in Paris, taking up the mantle of Georges Perec's absurdist descriptions of the city as we approach the third decade of the 21st century.
David Bird's work, How To, is a mashup of some of the most idiosyncratic how-to videos on the internet and YouTube in particular. The piece recombines audio and video from different how-to videos towards a surreal and uncanny effect.
Alec Hall brings to life a series of wellness products along, life coaching strategies and community building exercises in Getting to We. Structured within a corporate call-in ladder, this immersive experience features the artist MarieVic and choreography by KatieRose McLaughlin.
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