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WE ARE TWISTED FUCKING SISTER! (dir. Andrew Horn, 2014)

Saturday, February 22, 2020 at 5:00 PM

$5 - $10
Online tickets not available

Saturday, February 22 - February 23

WE ARE TWISTED FUCKING SISTER! (dir. Andrew Horn, 2014)

124 S 3rd St, Brooklyn, NY 11249, USA

$5 - $10
Online tickets not available
dir. Andrew Horn, 2014
135 mins. United States.
In English.

SUNDAY, FEBRUARY 23 - 7 PM w/Jay Jay French (of Twisted Sister) in person for Q&A!

The Beatles’ trial by fire was those two years playing in the bars in Hamburg. For Twisted Sister, it lasted for 10.

Back then, they were the Grand Funk of Glam and the NY Dolls of Metal. Some considered Twisted Sister a joke, others called them the greatest bar band in the world. While the microcosm of Punk and New Wave was taking over downtown New York in the mid 70s – early 80s, Twisted Sister was battling their way to the top of a vast suburban, cover-band bar scene that surrounded Manhattan in a 100 mile radius, yet existed in a parallel universe.

The film follows them from their beginnings as a cross-dressing glam band, playing cover songs for 4 shows a night, 6 nights a week – from New Jersey bowling alleys and Long Island beach bars, to the suburban mega-clubs of the late 70s/early 80s, and on to their bust-out appearance on the UK rock TV show, “The Tube”. Through it all, Twisted stood ready to do or die, not just for the music, but also “the show”. They refused to play the usual bar band role of “human juke box for drunk and horny teens”. Every night, the band would give their all to the crowd, and mounted a full frontal attack on anyone not participating. They were going to force you to pay attention – and you were going to have fun whether you liked it or not.

They regaled their audiences with comedy rants, dragging them on stage for vomit inducing drinking games, engaging them in fits of disco record smashing and, at their most extreme, whipping them into club-destroying frenzy. The performances were low on style and heavy on the humor and attitude – but behind it all, always smart and full of self awareness. Spinal Tap may have been clueless but Twisted Sister knew exactly what they were doing.

It was both a great living and a dead end because once you reached the peak – headlining clubs attracting audiences of 2, 3 or 5 thousand a night – there was nowhere left to go. As big as Twisted got on that circuit, in the eyes of the world, ie the music business establishment, they were nothing but a bar band.

If you’re expecting a tribute film recounting the well known events of Twisted Sister’s rock star career, be prepared for something very different. This is not about their hit songs, the MTV videos and their massive stadium shows, rather it’s the untold story of how they became that band – one full of strange, and often hilarious, twists and turns. It’s a story of Rock ‘n Roll and the business of Rock ‘n Roll. It’s about perseverance and things blowing up in your face. It’s about finding yourself, finding your audience and doing literally anything, however wild, to connect with them. And even though we know how it ends, the roller coaster ride of getting there is what it’s really all about. A mesmerizing, and wickedly funny story of a 10 year odyssey to overnight success.

Twisted guitarist Jay Jay French sums it up: “the history of Twisted is really those 10 years in the clubs. The years we spent clawing our way through the bar scene. It was learning how to make order out of chaos and how to win in bad situations. And it was unique to Twisted. I talk to hundreds of bands and nobody’s ever gone through what we went through. It’s who we are, and it’s why we are, and why we do what we do.”

“One of the most surprising movies I have seen in quite some time.(…) a film for everyone, not just fans, one which \[imparts\] a deeper understanding of and respect for the men who lived it.” – Pamela Glasner, Huffington Post

“Hilarious and revealing interviews (…) as well as plenty of riotously entertaining footage from the band’s Seventies Tri-State club heyday. Immensely compelling.” – Dan Epstein, Rolling Stone

“The time flies by, director Andrew Horn concocting a compelling, take-no-shit tale of Twisted Sister’s stuttering rise to stardom.” – Geoff Barton, Classic Rock Magazine

“I’m not a Twisted Sister fan and, in fact, knew very little about their scene in general—but this is a fascinating documentary.” – David Hudson, Fandor

“Noise, mayhem, pathos, endless reversals and plenty of uproarious comedy.” – The Independent (UK)

“Believe it or not, WE ARE TWISTED FUCKING SISTER! was born out of a scene in THE NOMI SONG. Actually out of one line. In the Nomi film, Twisted band leader Jay Jay French describes the almost riot that ensued when, believe it or not again, Klaus Nomi opened for them at the Soap Factory in New Jersey. “This was NYC performance art done in a blue collar suburban bar”, he explained. I knew almost nothing about Twisted at the time but I knew enough to know this was a hilarious confluence. But then after the NOMI film was finished Jay Jay started to explain to me what Twisted was doing doing onstage with their club audiences back then which struck me as very much it’s own kind of performance art, just dedicated to that whole other crowd. So it was the performance art idea that got me into it, little realizing that there was story there that was just as epic as NOMI’s.

Interestingly, both stories take place in almost the same time in almost the same geographical area, but they may as well have been in parallel universes. On the surface, TWISTED and NOMI couldn’t be more different – but at the same time, I came to realize there was a great similarity between the two. Each had their vision of who they were and what they wanted to do and they both had the courage to just ram it home no matter what. Both flew in the face of the establishment music scene, but both had their dedicated audiences that were ready to follow them anywhere. And both were able to meet each fallback and turn it into the next step forward. A review of the Twisted film said, ‘Stardom is interesting, but the long road that leads there is fascinating’ and that’s what appealed to me about both stories – the roller coaster of getting there is what it’s all about.” - Andrew Horn
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